UR22C Operation Manual

Operation Manual

USB AUDIO INTERFACE

Main Features

UR22C Operation Manual 2

Contents

Main Features ...........................................2

Panel Controls and Terminals ................3

Front Panel ..........................................................3

Rear Panel ...........................................................5

Software ....................................................6

Yamaha Steinberg USB Driver ............................6

dspMixFx UR-C....................................................8

Dedicated Windows for Cubase Series .............13

Sweet Spot Morphing Channel Strip ..................16

REV-X ................................................................18

Guitar Amp Classics ..........................................20

Using with a Computer ..........................23

Connection Example..........................................23

Configuring Audio Driver Settings on the DAW

Software.............................................................24

Recording/Playback ...........................................25

Using with an iOS Device ......................27

Connection Example..........................................27

Recording/Playback ...........................................28

Troubleshooting.....................................30

Appendix.................................................33

Limitations on the use of effects ........................33

Computer connector types .................................33

Signal Flows.......................................................34

Block Diagrams..................................................35

Technical Specifications ....................................37

General Specifications .......................................38

Uninstalling TOOLS for UR-C ............................39

Main Features

2 x 2 USB 3.0 Audio Interface with 2 x

D-PRE and 32-bit/192 kHz support

The UR22C is a 2-in and 2-out USB 3.0 audio

interface, featuring two world-renowned D-PRE

microphone preamps and supporting 192 kHz and

32-bit audio quality to capture all the subtleties and

expressiveness of any audio source.

True 32-bit resolution

The UR22C and the Yamaha Steinberg USB Driver

support the 32-bit Integer format, which can

represent audio data in higher resolution compared

to Float format. Together with a DAW (such as

Cubase) which can fully utilize the 32-bit Integer

data, they enable unprecedented audio resolution in

your music production.

USB 3.0 & USB Type-C

The UR22C is equipped with a USB Type-C port and

features USB 3.0 (USB 3.1 Gen 1) SuperSpeed

mode. It also provides full compatibility with the

USB 2.0 High-Speed mode and includes a Type-C

to Type-A cable.

dspMixFx

The dspMixFx technology is powered by the latest

SSP3 DSP chip and offers latency-free monitoring

with highly acclaimed DSP effects, including REV-X

reverb, for users of any DAW software.

Panel Controls and Terminals

UR22C Operation Manual 3

Panel Controls and Terminals

Front Panel

1 [MIC/LINE 1] jack

For connection to a microphone or digital instrument. This

jack can be connected to both XLR-type and phone-type

(balanced/unbalanced) plugs.

NOTE

The phantom power will be supplied to the XLR jack connected

to the [MIC/LINE 1] jack.

2 [INPUT 1 GAIN] knob

Adjusts the input signal level of the [MIC/LINE 1] jack.

3 [MIC/LINE 2] jack

For connection to a microphone, digital instrument,

electric guitar, or electric bass. This jack can be

connected to both XLR-type and phone-type (balanced/

unbalanced) plugs.

NOTE

The phantom power will be supplied to the XLR jack connected

to the [MIC/LINE 2] jack.

4 [INPUT 2 GAIN] knob

Adjusts the input signal level of the [MIC/LINE 2] jack.

5 [PEAK] indicator

Lights up according to the input signal. Lights up when

the input signal is 3 dB below the clipping level.

6 [+48V] indicator

Lights up when the [+48V] switch (phantom power) is

turned on.

7 [USB] indicator

Lights up when the power is turned on and the unit is

communicating with the computer or iOS device. The

indicator flashes continuously when the computer or iOS

device does not recognize the device.

8 [INPUT 2 HI-Z] switch

Switches the input impedance (on O/off N). Turn this

switch on when connecting high impedance instruments,

such as an electric guitar or electric bass, directly to the

[MIC/LINE 2] jack. When you turn this switch on, use an

unb

alanced phone plug for connection between the

instruments and the [MIC/LINE 2] jack.

TICE

Do not connect or disconnect any cables while turning on the

[INPUT 2 HI-Z] switch. Doing so can damage the connected

device and/or the unit itself.

NOTE

• If you use a balanced phone plug, the device will not work

correctly.

• When the HI-Z switch is turned on, the signal from the XLR-

type is cut off.

9 [MONO] switch

When this switch is on, the input to the [MIC/LINE 1/2]

jacks is output to both the [MAIN OUT L/R] jacks and the

L/R channel of the [PHONES] jack. When the switch is off,

the input to the [MIC/LINE 1] jacks is output to the [MAIN

OUT L] jack and the input to the [MIC/LINE 2] jacks is

output to the [MAIN OUT R] jack.

For the [PHONES] jack, the input to the [MIC/LINE 1]

jacks is output to the L channel and the input to the [MIC/

LINE 2] jacks is output to the R channel.

Plug types

Setting optimum recording levels

Adjust the [INPUT GAIN] knobs so that the [PEAK]

indicator flashes briefly at the loudest input volume.

XLR-type (balanced)

Phone-type (balanced)

Phone-type (unbalanced)

CAUTION

To protect your speaker system, leave the

monitor speakers turned off when turning the

[INPUT 2 HI-Z] switch on/off. It’s also a good idea

to turn all output level controls down to their

minimum. Neglect of these precautions may

result in loud noise bursts that may damage

your equipment, your ears, or both.

Panel Controls and Terminals

UR22C Operation Manual 4

) [MIX] knob

Adjusts the signal level balance between the input signal

to the [MIC/LINE 1/2] jacks and the signal from an

application, such as DAW software. Operation of this

control knob does not affect the signal sent to a computer.

! [PHONES ] jack

For connection to a set of stereo headphones.

@ [PHONES] knob

Adjusts the output signal level of the [PHONES] jack.

# [OUTPUT] knob

Adjusts the output signal level of the [MAIN OUTPUT]

jacks.

$ POWER indicator

Lights up when the power is turned on. The indicator

flashes continuously if the power supply is insufficient. In

this case, use the USB power adapter or USB mobile

battery.

Using the Mix knob

Turn the [MIX] knob to the [DAW] side if the input

volume is high and to the [INPUT] side if the input

volume is low. When the knob is turned fully to the

[DAW] side, only the input sound from DAW can be

heard.

Panel Controls and Terminals

UR22C Operation Manual 5

Rear Panel

1 [POWER SOURCE] switch

For selecting the port for supplying power to the UR22C.

To supply bus power via the [USB 3.0] port, set this switch

to the [USB 3.0] side. To supply power via the [5V DC]

port, set this switch to the [5V DC] side.

2 [USB 3.0] port

For connection to a computer or iOS device.

NOTICE

When connecting to a computer with a [USB 3.0] port,

observe the following to prevent the computer from freezing

or shutting down, as well as corruption or even loss of data.

• Before connecting/disconnecting the USB cable, be sure to

observe the following points.

- Quit all open software applications on the computer.

- Set all output level controls to the minimum.

• Wait at least six seconds between connecting/

disconnecting the USB cable.

NOTE

Apple accessories may be required when connecting the UR22C

with iOS devices. For details, refer to the UR22C Startup Guide.

3 [5V DC] port

For connecting a USB power adapter or USB mobile

battery. Use a power supply when connecting the UR22C

to a device that does not supply sufficient bus power,

such as an iPad. (The UR22C does not include a USB

power adapter or USB mobile battery.)

NOTICE

• Read the safety precautions for the USB power adapter or

USB mobile battery that you use.

• Use a USB power adapter or USB mobile battery that can

supply power in compliance with USB standards with a 5-

pin micro USB plug.

Output voltage 4.8 V to 5.2 V

Output current 0.9 A or greater

4 [+48V] switch

Turns the phantom power on/off. When you turn this switch

on, phantom power will be supplied to the XLR jack

connected to the [MIC/LINE 1/2] jacks. Turn this switch on

when using a phantom powered condenser microphone.

NOTICE

When using phantom power, observe the following to prevent

noise and possible damage to UR22C or connected

equipment.

• Do not connect or disconnect any devices while the

phantom power switch is turned to ON.

• Set all output level controls to the minimum before turning

the phantom power switch to ON or OFF.

• When connecting devices not requiring phantom power to

the [MIC/LINE 1/2] jack, make sure to turn the phantom

power switch to OFF.

NOTE

When the phantom power switch is turned on and off, all inputs/

outputs will be muted for a few seconds.

5 [MIDI OUT] jack

For connection to the MIDI IN jack of the MIDI device.

Transmits MIDI signals from the computer.

6 [MIDI IN] jack

For connection to the MIDI OUT jack of the MIDI device.

Receives and inputs MIDI signals to the computer.

NOTE

• Select [Steinberg UR22C-port1] for the MIDI port when using a

MIDI jack with an iOS app. Please note that [Steinberg UR22C-

port2] is not available.

• Do not activate dspMixFx when using a MIDI device. This may

interfere with stable data transmission/reception.

7 [MAIN OUTPUT L/R] jacks

For connection to monitor speakers. These jacks can be

connected to phone-type (balanced/unbalanced) plugs.

This outputs the MIX 1 signals. To adjust the output signal

level, use the [OUTPUT] knob on the front panel.

Using the [5V DC] port

Even when the UR22C is connected to a computer, you

can supply power via the [5V DC] port by external

power supply if the [POWER SOURCE] switch is set to

the [5V DC] side. This can be used to avoid power

supply problems. For example, ground loops due to

differences in voltage potential can occur if the device

connected to the UR22C is using the same power outlet

as the computer, and audio quality degradation can

occur if the power supply from the computer’s USB port

is not stable.

Software

UR22C Operation Manual 6

Software

The section explains software operations for using the

UR22C with a computer.

Yamaha Steinberg USB Driver

Yamaha Steinberg USB Driver is a software program that

allows communication between the UR22C and a

computer. In Control Panel, you can configure the basic

settings for the audio driver (Windows) or confirm the

audio driver information (Mac).

How to Open the Window

Windows

• From the start menu, select [Yamaha Steinberg USB

Driver]  [Control Panel].

• From the Cubase series menu, select [Studio]  [Studio

Setup]  [Yamaha Steinberg USB ASIO]  [Control

Panel].

Click the upper tabs to select the desired window.

Mac

• Select [Application]  [Yamaha Steinberg USB Control

Panel]

• From the Cubase series menu, select [Studio]  [Studio

Setup]  [Steinberg UR22C (High Precision)] 

[Control Panel]  [Open Config App]

Steinberg UR22C Window

These windows are for selecting the sample rate and the

USB mode.

Windows

Mac

1 Sample Rate

Lets you select the sample rate of the device.

Settings: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz,

192 kHz

NOTE

The available sample rates may differ depending on the

particular DAW you’re using.

2 USB Mode

Lets you select the USB mode. The default setting is

SuperSpeed (USB 3.1 Gen 1) mode.

Settings: SuperSpeed (USB 3.1 Gen 1), High-Speed (USB 2.0)

NOTE

If High-Speed (USB 2.0) mode is used, the data bandwidth will

become narrower, but this will not affect the functionality of the

UR22C. Other performance values such as latency will not

change.

ASIO Window (Windows only)

For selecting the ASIO driver settings.

1 Device

Lets you select the device for use with the ASIO driver.

This function is available when connecting two or more

devices that are compatible with the Yamaha Steinberg

USB Driver to the computer.

2 Mode

Lets you select the latency mode.

Settings: Low Latency, Standard, Stable

Sample Rate Descriptions

Low Latency Low latency mode. High-performance

computer is required.

Standard Standard latency mode.

Stable High latency mode. This prioritizes

stability for low-performance computer

and high-load projects.

Software

UR22C Operation Manual 7

3 Buffer Size

Lets you select the buffer size for the ASIO driver. The

range varies depending on the specified sample rate. The

lower the value of the ASIO buffer size, the lower the value

of audio latency.

4 Input Latency/Output Latency

Indicates the latency (delay time) for the audio input and

output in millisecond units.

About Window

Indicates the version and copyright information of the

audio driver.

Sample Rate Range

44.1 kHz / 48 kHz 32 Samples – 2048 Samples

88.2 kHz / 96 kHz 64 Samples – 4096 Samples

176.4 kHz / 192 kHz 128 Samples – 8192 Samples

How to Select the Sample Rate (Mac)

You can select the sample rate in the [Audio MIDI

Setup] window. Select the sample rate from the

[Applications]  [Utilities]  [Audio MIDI Setup] 

[Format] menu.

How to Select the Buffer Size (Mac)

You can select the buffer size in the settings window for

each application (DAW software, etc.).

From the Cubase series menu, select [Studio] 

[Studio Setup], then click [Control Panel] in [Steinberg

UR22C] or [Steinberg UR22C (High Precision)] in the

menu on the left side of the window.

The method for opening the settings window is different

for each application.

Using with 32-bit Integer processing (Mac)

[Steinberg UR22C] or [Steinberg UR22C (High

Precision)] is shown in the [ASIO Driver] setting on the

Cubase series program. Select [Steinberg UR22C

(High Precision)] when processing at 32-bit integer

resolutions between Cubase and the driver.

Software

UR22C Operation Manual 8

dspMixFx UR-C

This software is for operating the convenient built-in DSP

mixer and DSP effects. The DSP mixer allows you to mix

up to two input channels down to one stereo output. A

number of DSP effects for processing the input signals are

also provided, and since the processing/mixing is

hardware-based, there is no monitoring latency.

Screenshot

How to Open the Window

Windows

[All Programs] or [All apps]  [Steinberg UR22C] 

[dspMixFx UR-C]

Mac

[Application]  [dspMixFx UR-C]

Tool Area

This is the area for configuring the overall common

settings of dspMixFx UR-C.

1 Quit

Quits dspMixFx UR-C.

2 Minimize

Minimizes the dspMixFx UR-C window.

3 File

Provides four different menus for various settings.

4 Scene

Indicates the scene name. You can change the scene

name by clicking on it. Clicking the button on the right

opens the window for calling up other scenes. Call up the

desired scene by clicking it. To cancel calling up the

scene, click outside of the window.

5 Store

Opens the Scene Store window. Enter the desired scene

name into the STORE NAME field. Select the destination

for storing the scene in the No. NAME field. Click [OK] to

store the scene.

6 Selecting windows

Selects the desired dspMixFx UR-C window. The selected

window icon lights in red.

Menu Descriptions

Open Opens the settings file of dspMixFx

UR-C.

Save Saves the settings file of dspMixFx UR-

C to a computer.

Import Scene Imports a scene from the settings file of

dspMixFx UR-C. Select the desired

settings file of dspMixFx UR-C and

import the desired scene on the left

side of the [IMPORT SCENE] window.

The window appears after the file is

selected in the file selection dialog.

Select the destination for importing on

the right side of the window. Click [OK]

to import it.

Initialize All Scenes Initialize all the saved scenes.

Menu Description

Main window

Setup window

Information window

Software

UR22C Operation Manual 9

Main Window

This window is for configuring the entire signal flow.

Channel Area

This is the area for configuring the input channel settings.

1 Channel Link

Turns on (lit) and off (unlit) the channel link function of two

adjacent channels. When this is on, two mono channels

will become one stereo channel.

2 Level Meter

Indicates the signal level.

3 +48V

Indicates the on/off status of the phantom power function

of the device.

4 High Pass Filter

Turns on (lit) and off (unlit) the high pass filter. To select

the cutoff frequency of the high pass filter, use the “Setup

Window” (page 12) in the section “dspMixFx UR-C.”

5 Phase

Turns on (lit) and off (unlit) the phase inversion of the

signal.

6 FX REC

Turn the FX REC (effect recording) on and off.

7 Effect On/Off

Turns the Effect on (lit) and off (unlit).

8 Effect Edit

Opens (lit) and closes (unlit) the selected effect setup

window.

9 Effect Type

Selects the effect type.

Settings: NoEffect, Ch.Strip, Clean, Crunch, Lead, Drive

NOTE

The maximum number of Channel Strip and Guitar Amp Classics

iterations which can be used simultaneously is limited. Refer to

the “Limitations on the use of effects” (page 33).

) REV-X Send

Adjusts the signal level which is sent to REV-X.

Range: -∞ dB − +6.00 dB

! REV-X Send Value

Displays and adjusts the REV-X send value. Enable

editing of the value by double clicking the number.

Channel Area (page 9) MIX Area (page 11)

DAW Area (page 10)

Master Area (page 11)

REV-X Area (page 10)

Settings Description

On (lit) Applies an effect to both the monitor

signal (sent to the device) and the

recording signal (sent to the DAW

software).

Off (unlit) Applies an effect to only the monitor

signal (sent to the device).

Software

UR22C Operation Manual 10

DAW Area

This is the area for configuring the DAW channel settings.

1 Level Meter

Indicates the signal level.

REV-X Area

This is the area for configuring the REV-X channel settings.

1 REV-X Edit

Opens (lit) and closes (unlit) the “REV-X” (page 18) setup

window.

2 REV-X Type

Selects the REV-X type.

Settings: Hall, Room, Plate

3 REV-X Time

Adjusts the reverb time of REV-X. This parameter links to

Room Size. The adjustable range varies depending on

REV-X type.

4 REV-X Time Value

Displays and adjusts the REV-X Time value. Enable

editing of the value by double clicking the number.

5 REV-X Return

Adjusts the return level of REV-X.

6 REV-X Return Value

Displays and adjusts the REV-X Return value. Enable

editing of the value by double clicking the number.

REV-X Type Range

Hall 0.103 sec − 31.0 sec

Room 0.152 sec − 45.3 sec

Plate 0.176 sec − 52.0 sec

Software

UR22C Operation Manual 11

MASTER Area

This is the area for configuring the master channel

settings.

1 Level Meter

Indicates the signal level.

2 Loop Back

Turns the Loopback function on (lit) and off (unlit).

MIX Area

This is the area for selecting the MIX you want to

configure. The UR22C can be set only to MIX1.

Meter Window

This window is for showing the meter at the top of the Main

window.

1 Level Meter

Indicates the signal level. Peak hold is normally set to on.

What is Loopback?

Loopback is a convenient function for broadcasting

over the Internet. It mixes the input audio signals (such

as microphone and guitar) with the audio signals

playing back in the software in the computer into two

channels in the UR22C, and sends them back to the

computer. Refer to the section “Signal Flow” (page 34).

If the Loopback function is on while you are monitoring

input signals from the UR22C via DAW software, it will

cause loud noise. This is because an infinite loop of the

audio signal is generated between the UR22C and the

DAW software. When using the loopback function, turn

off the monitor functions on your DAW software.

UR22C

BGM

Deliver

Display color Description

Green Up to -18dB

Yellow Up to 0dB

Red CLIP

Software

UR22C Operation Manual 12

Setup Window

This window is for configuring the common settings of the

device.

1 Device

Selects the device when simultaneously connecting one

or more devices that are capable with dspMixFx.

2 Device Settings

Opens the Control Panel.

3 HPF Setting

Selects the cutoff frequency of the high pass filter.

Settings: 120 Hz, 100 Hz, 80 Hz, 60 Hz, 40 Hz

4 Zoom

Changes the window size.

Settings: 100%, 150%, 200%, 250%, 300%

5 Knob Mode

Selects the method of operating the knobs on dspMixFx

UR-C.

6 About

Indicates the version of the firmware and software.

Settings Description

Circular Drag in a circular motion to increase and

decrease the parameter. Drag on a dial

clockwise to increase, and counterclockwise to

decrease. If you click any point on the knob,

the parameter will jump there instantly.

Linear Drag in a linear motion to increase and

decrease the parameter. Drag upward or

rightward to increase, and downward or

leftward to decrease. Even if you click any point

on the knob, the parameter will not jump there.

Software

UR22C Operation Manual 13

Dedicated Windows for Cubase

Series

These are the windows for configuring the device settings

from Cubase series software. The dedicated windows for

Cubase series allow you to configure the parameters

which are configured by dspMixFx UR-C. Two types of

windows are available: Input Settings and Hardware

Setup.

Screenshot

Input Settings Window

Hardware Setup Window

How to Open the Window

Input Settings Window

From the Cubase series menu, select [Project]  [Add

track]  [Audio] to create an audio track and then click

the [UR22C] tab on the inspector on the left side.

Hardware Setup Window

From the Cubase series menu,

• Select [Studio]  [Studio Setup], then select the

[Steinberg UR-C] on the [Steinberg I/O] on the left side.

• From Input Settings Window, click [Hardware Setup]

Input Settings Window

This window is for configuring the input settings of the

device. The signal flow is from top to bottom. The settings

on this window (except for the +48V indicator) are saved

to the Cubase project file.

The Input Settings Window is displayed on the audio track

routing as UR22C.

Header Area

Display the name of the connected device and open the

Editor.

1 model

Displays the model name (UR22C) in use. Switch between

displayed or not displayed for the Input Settings Window

by clicking it.

2 Hardware setup

Opens the Hardware Setup Window.

3 Editor Active

Opens dspMixFx UR-C.

Hardware Inputs Settings area.

This area is used to set parameters related to the UR22C

inputs.

1 Port name

Displays the name of the port which is being used for

input to the track of the device.

2 +48V

Indicates the on (lit) and off (unlit) status of the phantom

power function of the device.

3 Input meter

Displays input levels.

4 Meter Clip

Displays the input meter clip when clipping occurs. Click

this to stop this display.

5 High Pass Filter

Turns on (lit) and off (unlit) the high pass filter. To select

the cutoff frequency of the high pass filter, use the

“Hardware Setup Window” (page 15) in the section

“dspMixFx UR-C.”

Software

UR22C Operation Manual 14

6 Phase

Switches phase inversion on (lit) and off (unlit). Shows L, R

when stereo is selected.

Effect Settings area

This area is used to set parameters related to the UR22C

input/output port effects.

1 Pre/Post

Used to select the insertion point for the effect.

2 Effect Name

Displays the names of the applied effects.

3 Effect Bypass

Enables/bypasses the effect.

4 Effect Edit

Displays the Effect Edit window.

5 Effect Type

Selects the effect type.

Settings: No Effect, Morphing Ch Strip ([m] or [s]), GA Classics -

CLEAN, GA Classics - CRUNCH, GA Classics - LEAD,

GA Classics - DRIVE

NOTE

The maximum number of Channel Strip and Guitar Amp Classics

iterations which can be used simultaneously is limited. Refer to

the “Limitations on the use of effects” (page 33).

6 REV-X Send

Adjusts the signal level which is sent to REV-X.

Range: -∞ dB − +6.00 dB

7 REV-X Name

Displays the selected REV-X type.

8 REV-X Edit

Opens the “REV-X” (page 18) setup window.

9 REV-X Type

Selects the REV-X type.

Settings: Hall, Room, Plate

Outputs area

This area is used to set parameters related to hardware

outputs.

1 Mix Bus name

Displays the Mix Bus name of the hardware output. The

output bus of the track must be connected to this Mix bus.

2 Output meter

Displays meters for the hardware Mix Bus connected to

hardware outputs.

3 Meter Clip

Displays the input meter clip when clipping occurs. Click

this to stop this display.

4 Headphones

The UR22C can be set only to phones1.

Software

UR22C Operation Manual 15

Hardware Setup Window

This window allows you to configure general hardware

settings and Cubase-linked function settings.

1 model

Displays the name of the device.

2 HPF

Selects the cutoff frequency of the high pass filter.

Settings: 120Hz, 100Hz, 80Hz, 60Hz, 40Hz

3 Scene

Automatically applies scene information to the UR22C

device when loading a Cubase project file containing

UR22C scene data.

NOTICE

Data saved to the device will be overwritten.

4 Channel Link

Automatically configures stereo links based on the bus

configuration in use.

Software

UR22C Operation Manual 16

Sweet Spot Morphing Channel

Strip

The Sweet Spot Morphing Channel Strip (“Channel Strip”

for short) is a multi-effect that combines compression and

EQ. Advanced sound engineering know-how is

condensed into a number of convenient presets that can

be simply and instantly recalled, for professional results.

Two channel strips are provided, and each can be

assigned to the monitor sound only, or to both the monitor

and recorded sound.

The Channel Strip equipped with the device and the

Channel Strip of the VST Plug-in version have the same

parameters. When using the Channel Strip on Cubase

series programs, you can share the settings between the

built-in Channel Strip and the Channel Strip of the VST

Plug-in version as a preset file. Also, when assigning the

Channel Strip of the VST Plug-in version to the effect slot

on Cubase series programs, select it from the [Dynamics]

category (in the case of the default settings).

Screenshot

How to Open the Window

From Dedicated Windows for Cubase Series

Select the “Channel Strip” from the “Effect Type”, then

click “Channel Strip Edit” in the section “Input Settings

Window” (page 14).

From dspMixFx UR-C

Select the “Channel Strip” from the “Effect Type”, then

click “Channel Strip Edit” in the section “Channel Area”

(page 9).

Common to Compressor and Equalizer

1 MORPH

Adjusts the parameter of the Sweet Spot Data. You can

simultaneously adjust the compressor and equalizer

settings which are set to five points around this knob by

turning this knob. When you set the knob between two

adjacent points, the compressor and equalizer settings

will be set to an intermediate value.

2 Sweet Spot Data

Selects the Sweet Spot Data.

3 TOTAL GAIN

Adjusts the total gain of the Channel Strip.

Range: -18.0 dB − +18.0 dB

4 Level Meter

Indicates the output level of the Channel Strip.

Compressor

1 ATTACK

Adjusts the attack time of the compressor.

Range: 0.092 msec − 80.00 msec

2 RELEASE

Adjusts the release time of the compressor.

Range: 9.3 msec − 999.0 msec

Software

UR22C Operation Manual 17

3 RATIO

Adjusts the release time of the compressor.

Range: 1.00 − ∞

4 KNEE

Selects the knee type of the compressor.

5 SIDE CHAIN Q

Adjusts the band width of the side chain filter.

Range: 0.50 − 16.00

6 SIDE CHAIN F

Adjusts the center frequency of the side chain filter.

Range: 20.0 Hz − 20.0 kHz

7 SIDE CHAIN G

Adjusts the gain of the side chain filter.

Range: -18.0 dB − +18.0 dB

8 COMPRESSOR On/Off

Turns the compressor on (lit) and off (unlit).

9 Compressor Curve

This graph indicates the approximate compressor

response. The vertical axis indicates the output signal

level, and the horizontal axis indicates the input signal

level.

) Gain Reduction Meter

Indicates the gain reduction.

! DRIVE

Adjusts the degree to which the compressor is applied.

The higher the value, the greater the effect.

Range: 0.00 − 10.00

Equalizer

1 Equalizer Curve

This graph indicates the characteristics of the 3-band

equalizer. The vertical axis indicates the gain, and the

horizontal axis indicates the frequency. You can adjust

LOW, MID, and HIGH by dragging each handle in the

graph.

2 LOW F

Adjusts the center frequency of the low band.

Range: 20.0 Hz − 1.00 kHz

3 LOW G

Adjusts the gain of the low band.

Range: -18.0 dB − +18.0 dB

4 MID Q

Adjusts the band width of the middle band.

Range: 0.50 − 16.00

5 MID F

Adjusts the center frequency of the middle band.

Range: 20.0 Hz − 20.0 kHz

6 MID G

Adjusts the gain of the middle band.

Range: -18.0 dB − +18.0 dB

7 HIGH F

Adjusts the center frequency of the high band.

Range: 500.0 Hz − 20.0 kHz

8 HIGH G

Adjusts the gain of the high band.

Range: -18.0 dB − +18.0 dB

9 EQUALIZER On/Off

Turns the equalizer on (lit) and off (unlit).

Settings Description

SOFT Produces the most gradual change.

MEDIUM Results in a setting midway between

SOFT and HARD.

HARD Produces the sharpest change.

Software

UR22C Operation Manual 18

REV-X

REV-X is a digital reverb platform developed by Yamaha

for pro audio applications.

One REV-X effect is included in this unit. Input signals can

be sent to the REV-X effect, and the REV-X effect is

applied only to the monitor outputs. Three types of REV-X

are available: Hall, Room, and Plate. The hardware REV-X

equipped with the device and REV-X of the VST Plug-in

version have essentially the same parameters. However,

the [OUTPUT] and [MIX] parameters are only available in

the VST Plug-in version.

When using REV-X on Cubase series programs, you can

share the settings between the built-in REV-X and REV-X

of the VST Plug-in version as a preset file. Also, when

assigning REV-X of the VST Plug-in version to the effect

slot on Cubase series programs, select it from the

[Reverb] category (in the case of the default settings).

The built-in REV-X is equipped with an “FX Bus” which is

used for sending the signal from DAW software to REV-X.

For example, to send the recorded audio data to REV-X,

you can check the sound with REV-X, which is used for

monitoring during the recording.

Screenshot

How to Open the Window

From Dedicated Windows for Cubase Series

Click “REV-X Edit” (page 14) in the section “Reverb

Routing Window.”

From dspMixFx UR-C

Click “REV-X Edit” (page 10) in the section “REV-X Area.”

REV-X

This section uses the Hall type of REV-X as an example.

1 Reverb Time

Adjusts the reverb time. This parameter links to Room

Size. The adjustable range varies depending on the REV-

X type.

2 Initial Delay

Adjusts the time that elapses between the direct, original

sound and the initial reflections that follow it.

Range: 0.1 msec − 200.0 msec

3 Decay

Adjusts the characteristic of the envelope from the

moment the reverberation starts to the moment it

attenuates and stops.

Range: 0 − 63

4 Room Size

Adjusts the size of the simulated room. This parameter

links to Reverb Time.

Range: 0 − 31

5 Diffusion

Adjusts the spread of the reverberation.

Range: 0 − 10

6 HPF

Adjusts the cutoff frequency of the high pass filter.

Range: 20 Hz − 8.0 kHz

REV-X type Range

Hall 0.103 sec − 31.0 sec

Room 0.152 sec − 45.3 sec

Plate 0.176 sec − 52.0 sec

Software

UR22C Operation Manual 19

7 LPF

Adjusts the cutoff frequency of the low pass filter.

Range: 1.0 kHz − 20.0 kHz

8 Hi Ratio

Adjusts the duration of reverberation in the high frequency

range by using a ratio relative to the Reverb Time. When

you set this parameter to 1, the actual specified Reverb

Time is fully applied to the sound. The lower the value, the

shorter the duration of reverberation in the high frequency

range.

Range: 0.1 − 1.0

9 Low Ratio

Adjusts the duration of reverberation in the low frequency

range by using a ratio relative to the Reverb Time. When

you set this parameter to 1, the actual specified Reverb

Time is fully applied to the sound. The lower the value, the

shorter the duration of reverberation in the low frequency

range.

Range: 0.1 − 1.4

) Low Freq

Adjusts the frequency of the Low Ratio.

Range: 22.0 Hz − 18.0 kHz

! OPEN/CLOSE

Opens and closes the window for adjusting the reverb

settings.

@ Graph

Indicates the characteristics of reverberation. The vertical

axis indicates the signal level, the horizontal axis indicates

the time, and the Z-axis indicates the frequency. You can

adjust the characteristics of reverberation by dragging the

handles in the graph.

# Time Axis Setting

Select the display range of the time (horizontal axis) on

the graph.

Display range: 500 msec − 50 sec

$ Zoom Out

Zooms out the display range of the time (horizontal axis)

on the graph.

% Zoom In

Zooms in the display range of the time (horizontal axis) on

the graph.

Software operation

• You can reset certain parameters to their default

values by holding the [Ctrl]/[command] key while you

click on the appropriate knobs, sliders, and faders.

• You can adjust the parameters more finely by holding

the [SHIFT] key while you drag on the appropriate

knobs, sliders, and faders.

Software

UR22C Operation Manual 20

Guitar Amp Classics

Guitar Amp Classics are guitar amp simulations that make

extensive use of advanced Yamaha modeling technology.

Four amp types with different sonic characteristics are

provided.

The Guitar Amp Classics equipped with the device and

the Guitar Amp Classics of the VST Plug-in version have

the same parameters. When using the Guitar Amp

Classics on Cubase series programs, you can share the

settings between the built-in Guitar Amp Classics and the

Guitar Amp Classics of the VST Plug-in version as a

preset file. Also, when assigning the Guitar Amp Classics

of the VST Plug-in version to the effect slot on Cubase

series programs, select it from the [Distortion] category (in

the case of the default settings). Note that Guitar Amp

Classics equipped with the device cannot be used when

the sample rate is set to 176.4 kHz or 192 kHz.

Screenshot

How to Open the Window

From Dedicated Windows for Cubase Series

Select the “Guitar Amp Classics” from the “Effect Type”,

then click “Effect Edit” in the section “Input Settings

Window” (page 14).

From dspMixFx UR-C

Select the “Guitar Amp Classics” from the “Effect Type”,

then click “Effect Edit” in the section “Channel Area”

(page 9).

CLEAN

This amp type is optimized for clean tones, effectively

simulating the tight brilliance of transistor amplifiers. The

tonal character of this amp model provides an ideal

platform for recording with multi-effects. It also features

built-in chorus and vibrato effects.

1 VOLUME

Adjusts the amplifier’s input level.

2 DISTORTION

Adjusts the depth of distortion produced.

3 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal response

in the high, middle, and low frequency ranges.

4 PRESENCE

Can be adjusted to emphasize the high frequencies and

overtones.

5 Cho/OFF/Vib

Turns the Chorus or Vibrato effect on or off. Set to [Cho] to

turn the Chorus effect on, or to [Vib] to turn the Vibrato

effect on.

6 SPEED/DEPTH

These controls adjust the speed and depth of the Vibrato

effect when it is on. The SPEED and DEPTH controls only

work with the Vibrato effect, and are disengaged when the

Cho/OFF/Vib control, above, is set to “Cho” or “OFF.”

7 BLEND

Adjusts the balance between the direct and effect sound.

8 OUTPUT

Adjusts the final output level.

Software

UR22C Operation Manual 21

CRUNCH

This is the amp type to use when you want lightly

overdriven crunch tones. The CRUNCH model simulates

the type of vintage tube amplifiers that are favored for

blues, rock, soul, R&B, and similar styles.

1 Normal/Bright

Selects a normal or bright tonal character. The [Bright]

setting emphasizes the high-frequency overtones.

2 GAIN

Adjusts the input level applied to the preamp stage.

Rotate clockwise to increase the amount of overdrive

produced.

3 TREBLE/MIDDLE/BASS

These three controls adjust the amplifier’s tonal response

in the high, middle, and low frequency ranges.

4 PRESENCE

Can be adjusted to emphasize the high frequencies and

overtones.

5 OUTPUT

Adjusts the final output level.

DRIVE

The DRIVE amp type provides a selection of distortion

sounds that simulate the tonal character of various high

gain tube amplifiers. From mildly overdriven crunch to

heavy distortion suitable for hard rock, heavy metal, or

hardcore styles, this model offers a wide range of sonic

capabilities.

1 AMP TYPE

Six amplifier types are provided. Types 1 and 2 feature

relatively mild distortion that allows picking nuances to

come through naturally. Types 3 and 4 have more

pronounced overtones, resulting in a fat, soft tone. Types

5 and 6 deliver wilder, aggressive distortion with a tight

attack. The even-numbered amp types have greater

presence and range than the odd-numbered types.

2 GAIN

Adjusts the input level applied to the preamp stage.

Rotate clockwise to increase the amount of distortion

produced.

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjust the amplifier’s tonal response

in the high, middle, and low frequency ranges.

5 PRESENCE

Can be adjusted to emphasize the high frequencies and

overtones.

6 OUTPUT

Adjusts the final output level.

Software

UR22C Operation Manual 22

LEAD

The LEAD amp type simulates a high-gain tube amp that

is rich in overtones. It is ideally suited to playing lead

guitar lines that will project well in an ensemble, but it can

also be set up for crisp accompaniment tones as well.

1 High/Low

Selects the amp output type. The [High] setting simulates

a high-output amp, and allows the creation of more

distorted tones.

2 GAIN

Adjusts the input level applied to the preamp stage.

Rotate clockwise to increase the amount of distortion

produced.

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjust the amplifier’s tonal response

in the high, middle, and low frequency ranges.

5 PRESENCE

Used to emphasize the high frequencies and overtones.

6 OUTPUT

Adjusts the final output level.

Using the GAIN, MASTER, and OUTPUT

Controls

The tonal character of the DRIVE and LEAD amp types

can be adjusted over a wide range via the GAIN,

MASTER, and OUTPUT controls. GAIN adjusts the level

of the signal applied to the preamp stage, affecting the

amount of distortion produced. MASTER adjusts the

output level from the preamp stage that is then fed to

power amp stage. The GAIN and MASTER control

settings have a large effect on the final sound, and the

MASTER control may need to be turned up fairly high in

order to drive the power stage sufficiently for optimum

tone. The OUTPUT control adjusts the final output level

from the amp model without affecting the distortion or

tone, and is useful for adjusting the guitar’s volume

without changing any other aspects of the sound.

Using with a Computer

UR22C Operation Manual 23

Using with a Computer

Connection Example

NOTE

• When using the device with bus power supply, connect it to the USB 3.0 port of the computer.

• For the connector type of the computer to be connected to the device, refer to “Connector type of a computer” (page 33).

Microphone GuitarKeyboard Headphones

Front panel

Rear panel

When using the condenser

microphone, turn the switch

on after connecting it.

(Turn the switch off before

disconnecting it.)

Check!

Set all volume levels to

minimum before connecting

or disconnecting the

external device.

Computer Synthesizer/MIDI keyboard Monitor

speakers

When connecting an electric

guitar or electric bass, turn the

switch on after connecting the

instrument. (Turn the switch off

before disconnecting it.)

Check!

Using with a Computer

UR22C Operation Manual 24

Configuring Audio Driver Settings

on the DAW Software

Cubase Series Programs

Make sure that all applications have been

closed.

2. Connect the device directly to the computer

by using the included USB cable.

3. Confirm the [USB] indicator is lit.

4. Double-click the shortcut of Cubase series

on the desktop to start Cubase.

5. When the [ASIO Driver Setup] window

appears while the Cubase series program is

launching, confirm that the device is

selected, then click [OK].

NOTE

When [Steinberg UR22C (High Precision)] is selected on

Mac, Cubase will exclusively uses the driver. In this

condition, [Steinberg UR22C] cannot be used by other

applications.

The audio driver settings are now complete.

Programs other than Cubase Series

Make sure that all applications have been

closed.

2. Connect the device directly to the computer

by using the included USB cable.

3. Confirm the [USB] indicator is lit.

4. Launch the DAW software.

5. Open the audio interface settings window.

6. (Windows only) Select the ASIO Driver for

the audio driver settings.

7. Set the ASIO Driver for Windows and audio

interface for Mac as follows.

Windows

Set the [Yamaha Steinberg USB ASIO] to the ASIO

Driver settings.

Mac

Set the UR22C to the audio interface settings.

The audio driver settings are now complete.

Using with a Computer

UR22C Operation Manual 25

Recording/Playback

This section explains simple recording operations for

using a microphone. Connect a microphone to [MIC/LINE

1] jack as shown in the connection examples (page 23).

Turn the [+48V] switch on when using a phantom powered

condenser microphone.

Cubase Series Programs

Launch the Cubase series DAW and display

the [steinberg hub] window.

2. Select the template [Empty] in [Recording]

on the [steinberg hub] window, then click

[Create].

3. Turn on Direct Monitoring as follows.

[Studio]  [Studio Setup]  [Yamaha Steinberg

USB ASIO] (Windows) or [Steinberg UR22C] (Mac)

 enter checkmark to [Direct Monitoring]  [OK]

4. Return to the project window and click

[Project]  [Add Track]  [Audio] to display

[Add Track].

5. Select the [Audio Inputs] and

[Configuration] to [Mono] and [Count] to [1],

and then click [Add track] to create one new

audio track.

6. Confirm that the [Record Enable] and

[Monitor] indicators are turned on (lit) for the

added audio track.

7. While singing into the microphone, adjust

the input signal level of the microphone with

the [INPUT 1 GAIN] knob on the device.

8. While singing into the microphone, adjust

the output signal level of the headphones

with the [PHONES] knob on the device.

9. Click to start the recording.

10. After finishing the recording, click to

stop it.

11. Turn [Monitor] off (unlit) for the just

recorded audio track.

12. Click the Ruler to move the project cursor to

the desired point for starting playback.

13. Click to check the recorded sound.

When listening to the sound over monitor speakers,

adjust the output signal level by the [OUTPUT] knob

on the device.

The recording and playback operations are now

complete.

For more detailed instructions on using Cubase series

programs, refer to the Cubase operation manual.

Setting optimum recording levels

Adjust the [INPUT GAIN] knobs so that the [PEAK]

indicator flashes briefly at the loudest input volume.

Using with a Computer

UR22C Operation Manual 26

Programs other than Cubase Series

Launch your DAW software.

2. Open dspMixFx UR-C.

For instructions on how to open dspMixFx UR-C,

refer to the section “How to Open the Window”

(page 8).

3. Adjust the input signal level of the

microphone with the [INPUT GAIN] knob on

the device.

4. While singing into the microphone, adjust

the output signal level of the headphones

with the [PHONES] knob on the device.

5. Set the Channel Strip settings and REV-X

settings on dspMixFx UR-C.

6. Start recording on your DAW software.

7. After finishing recording, stop it.

8. Playback the newly recorded sound to

check it.

For more detailed instructions on using the DAW software,

refer to your particular DAW’s software manual.

Setting optimum recording levels

Adjust the [INPUT GAIN] knobs so that the [PEAK]

indicator flashes briefly at the loudest input volume.

Using with an iOS Device

UR22C Operation Manual 27

Using with an iOS Device

Connection Example

NOTE

• Apple accessories may be required when connecting the UR22C with iOS devices. For details, refer to the UR22C Startup Guide.

• For iOS devices, it is necessary to supply power from the USB power adapter or a USB mobile battery.

• For the latest information on compatible iOS devices, refer to the Steinberg website below.

https://www.steinberg.net/

iPadiPhone

Microphone GuitarKeyboard Headphones

Front panel

Rear panel

When using the condenser

microphone, turn the switch

on after connecting it.

(Turn the switch off before

disconnecting it.)

Check!

Set all volume levels to

minimum before connecting

or disconnecting the

external device.

Synthesizer/MIDI keyboard Monitor

speakers

When connecting an electric

guitar or electric bass, turn the

switch on after connecting the

instrument. (Turn the switch off

before disconnecting it.)

Check!

USB adapter/

USB mobile battery

Using with an iOS Device

UR22C Operation Manual 28

Recording/Playback

This section explains simple recording operations for

using a microphone. Connect a microphone to [MIC/LINE

1] jack as shown in the connection examples (page 27).

Turn the [+48V] switch on when using a phantom powered

condenser microphone.

The explanation uses Cubasis (DAW app) as an example.

NOTE

• iOS app may not be supported in your area. Please check with

your Yamaha dealer.

• For the latest Cubasis information, see the Steinberg web site

below.

https://www.steinberg.net/

1. Open Cubasis.

2. Tap the [MEDIA] tab on the upper left of the

screen.

[Create New Project] is shown in the bottom of the

screen.

3. Tap the [Create New Project].

4. Enter a project name and tap [OK] in the

[New project] window.

5. Tap [+ADD] on the left of the screen, then

tap [AUDIO] to add an Audio Track.

6. Tap on the far left of your screen to

show the track inspector.

7. Tap to show the details window and set

the input bus for the track by tapping a

number.

8. Tap to turn monitoring on (lit).

9. Adjust the input signal level of the

microphone with the [INPUT 1 GAIN] knob

on the device.

Setting optimum recording levels

Adjust the [INPUT GAIN] knobs so that the [PEAK]

indicator flashes briefly at the loudest input volume.

Using with an iOS Device

UR22C Operation Manual 29

10. While singing into the microphone, adjust

the output signal level of the headphones

with the [PHONES] knob on the device.

11. Tap [

] to start the recording.

12. Tap [>] to stop the recording.

13. Tap and slide on the ruler to move the

playback position.

You can also tap to return the beginning of the

recording.

14. Tap [>] to playback the recorded sound.

dspMixFx (for iOS devices)

From your iOS devices, you can conveniently control

built-in DSP mixer functions and DSP effects by using

dspMixFx for iOS devices. For details on this app, see

the Steinberg web site below.

https://www.steinberg.net/

Troubleshooting

UR22C Operation Manual 30

Troubleshooting

The power indicator is off

Is the [POWER SOURCE] switch set properly?

The power indicator does not light when power is not supplied to the device.

Move the [POWER SOURCE] switch to the [5V DC] jack side when using AC

adapter or move the switch to [USB 3.0] jack side for bus-powered supply

(computer only).

The power indicator

flashes continuously

Is there a problem with power supply?

The indicator flashes continuously If the power supply is insufficient. Move the

[POWER SOURCE] switch to [5V DC] jack side and use the USB power adaptor

or USB mobile battery for the power supply.

Confirm whether or not a proper USB cable is used.

• Make sure to use the included USB cable.

• For a connecting the device to the USB Type-C port of a computer, use a

commercially available USB 3.1 Type -C to Type-C cable.

The USB indicator flashes

continuously

Has TOOLS for UR-C been installed properly? (Computer only)

The indicator flashes continuously when the computer or iOS device does not

recognize the device. Refer to the Startup Guide instructions to complete the

TOOLS for UR-C installation.

No Sound

Has TOOLS for UR-C been installed properly? (Computer only)

Refer to the Startup Guide instructions to complete the TOOLS for UR-C

installation.

Confirm that a proper USB cable is being used.

Make sure to use the included USB cable.

Are the volume controls of the device set to appropriate levels?

Confirm the levels of the [OUTPUT] knob and [PHONES] knob.

Are the microphones and monitor speakers connected to the

device properly?

Refer to the section “Connection Examples” (pages 23, 27) to confirm the

connection.

Are the audio driver settings on DAW software set properly?

Refer to the section “Configuring the Audio Driver Settings on DAW Software”

(page 24) to set it.

Troubleshooting

UR22C Operation Manual 31

No Sound

Is the [ASIO Driver] setting on the Cubase series program set

properly?

From the Cubase series menu, open the [Studio]  [Studio Setup]  [VST Audio

System], then confirm that the [Yamaha Steinberg USB ASIO] (Windows) or

[Steinberg UR22C] or [Steinberg UR22C (High Precision)] (Mac) is selected on

the [ASIO Driver].

Was the power of the device turned on before starting the DAW

software?

Before starting the DAW software, connect the device to a computer and turn on

the power of the device.

Is the input/output routing set properly?

Refer to the section “Recording/Playback” (page 25) to check the input/output

routing in the DAW.

Is the monitor speaker switch turned on?

Confirm that the monitor speaker switch is turned on.

Is the buffer size set too low?

Increase the buffer size compared to the current settings; refer to the section

“Yamaha Steinberg USB Driver” (page 6) for instructions.

Is the error message “Audio Format is Unmixable” shown? (Mac

only)

The error message “Audio Format is Unmixable” is shown in the Yamaha

Steinberg USB control panel. Click [Revert to Mixable] to resolve the error.

Windows Mac

Troubleshooting

UR22C Operation Manual 32

For the latest support information, refer to the Steinberg website below.

https://www.steinberg.net/

Unusual sound

(noise, interruption, or distortion)

Does your computer satisfy the system requirements?

Confirm the system requirements. For the latest information, see the Steinberg

website below.

https://www.steinberg.net/

Is the USB Mode set properly?

Depending on the USB host controller in your computer, audio dropout might

occur when SuperSpeed (USB 3.1 Gen1) mode is used. In such a case, please

try switching to High-Speed (USB 2.0) mode in the Yamaha Steinberg USB

Driver Control Panel.

Are you recording or playing long continuous sections of audio?

The audio data processing capabilities of your computer will depend on a

number of factors including CPU speed and access to external devices. Reduce

the audio tracks and check the sound again.

Are the microphones properly connected to the device?

Connect a microphone with an XLR plug to the device. If you use a phone plug,

the volume may be insufficient.

Is the loopback function set properly?

Set Enable Loopback to off when not using the Loopback function. For

instructions, refer to the section “Settings Window” (page 11).

Is the error message “Audio Format is Unmixable” shown? (Mac

only)

The error message “Audio Format is Unmixable” is shown in the Yamaha

Steinberg USB control panel. Click [Revert to Mixable] to resolve the error.

Appendix

UR22C Operation Manual 33

Appendix

Limitations on the use of effects

Two Channel Strips and one Guitar Amp Classics are

provided in the UR22C.

Simultaneous use of the Channel Strips and Guitar Amp

Classics on the same channel is possible since two slots

are provided for inserting effects in to each input channel.

However, the following restrictions apply.

• Two Channel Strips and two Guitar Amp Classics

cannot be used in the same channel.

• Guitar Amp Classics cannot be used in stereo

channels.

• Guitar Amp Classics cannot be used when the sample

rate is set to 176.4 kHz or 192 kHz.

Computer connector types

USB 3.0 Type A

When connecting the device to a USB 3.0 Type-A port of

the computer, you will need the included USB cable.

USB 2.0 Type A

When connecting the device to a USB 2.0 Type-A port of

the computer, you will need the included USB cable and a

commercially available USB power adapter or USB mobile

battery.

USB 3.1 Type C

When connecting the device to a USB 3.1 Type C port,

you will need a commercially available USB 3.1 Type-C to

Type-C cable (optional).

Appendix

UR22C Operation Manual 34

Signal Flows

The following chart indicates the signal flow in the device.

NOTE

• The controllers on the device, such as the [INPUT GAIN] knobs, [OUTPUT] knob are not included in this chart.

• To configure each parameter, use the “dspMixFx UR-C” (page 8) or “Dedicated Windows for Cubase Series” (page 13).

• Please note that you cannot use the built-in Guitar Amp Classics when the sample rate is set to 176.4 kHz or 192 kHz.

*1 The following chart indicates an effect insertion location.

LOOPBACK OFF/ON

From

[MIC/LINE 1]

From

[MIC/LINE 2]

Insert FX

SLOT1

SLOT2

Insert FX

SLOT1

SLOT2

[MIDI OUT]

From

[MIDI IN]

To DAW input

From DAW output

USB

To [MAIN OUTPUT]

To [PHONES]

MIX 1

REV-X

Send

Level

REV-X

Send

Level

REV-X

Return

Level

FX REC (OFF)

To DAW input

From input on the device

To output on the device

FX REC (ON)

From input on the device

To output on the device

To DAW input

Insert FX

SLOT1

SLOT2

Insert FX

SLOT1

SLOT2

• Set FX REC ON when recording the DSP effect processed signal with the DAW.

• Set FX REC OFF when recording a signal without DSP effect processing with the DAW.

Appendix

UR22C Operation Manual 35

Block Diagrams

44.1kHz, 48kHz, 88.2kHz, 96kHz

Appendix

UR22C Operation Manual 36

176.4kHz, 192kHz

Appendix

UR22C Operation Manual 37

Technical Specifications

MIC INPUT 1/2 (balanced)

Frequency Response +0.0/-0.4 dB, 20 Hz – 22 kHz

Dynamic Range 102 dB, A-Weighted

THD+N 0.003%, 1 kHz, 22 Hz/22 kHz BPF

Maximum Input Level +6 dBu

Input Impedance 4 kΩ

Gain Range +6 dB – +60 dB

HI-Z INPUT 2 (unbalanced)

Maximum Input Level +9.0 dBV

Input Impedance 1 MΩ

Gain Range 0 dB – +54 dB

LINE INPUT 1/2 (balanced)

Maximum Input Level +22 dBu

Input Impedance 18.5 kΩ

Gain Range -10 dB – +44 dB

MAIN OUTPUT (Impedance balanced)

Frequency Response +0.0/-0.2 dB, 20 Hz – 22 kHz

Dynamic Range 105 dB, A-Weighted

THD+N 0.002%, 1 kHz, 22 Hz/22 kHz BPF

Maximum Output Level +12 dBu

Output Impedance 150 Ω

PHONES

Maximum Output Level 15 mW +15 mW, 40 Ω

USB

Specification USB 3.0, 32-bit, 44.1 kHz/48 kHz/88.2 kHz/96 kHz/176.4 kHz/192 kHz

XLR INPUT

Polarity 1: Ground

2: Hot (+)

3: Cold (-)

Appendix

UR22C Operation Manual 38

General Specifications

The contents of this manual apply to the latest specifications as of the publishing date.

To obtain the latest manual, access the Steinberg website then download the manual file.

Power Requirements

4.5 W

Dimensions (W x H x D)

159 x 47 x 159 mm

Net Weight

1.0 kg

Operating Free-air Temperature Range

0 °C – 40 °C

Included Accessories

• USB 3.0 cable (3.1 Gen1, Type-C to Type-A, 1.0 m)

• Startup Guide

• Cubase AI Download Information

• Essential Product Licence Information

• Steinberg Plus Download Information

Uninstalling TOOLS for UR-C

To uninstall the software, you must remove the following

software one by one.

• Yamaha Steinberg USB Driver

• Steinberg UR-C Applications

• Basic FX Suite

Follow the steps below to uninstall TOOLS for UR-C.

Windows

1. Disconnect all USB devices other than the

mouse and keyboard from the computer.

2. Start the computer and log on to the

Administrator account.

Exit any open applications and close all open

windows.

3. Open the window for the uninstall operation

as follows.

[Control Panel]  [Uninstall a Program] to call up

the [Uninstall or change a program] panel.

4. Select the software to be uninstalled from

the list.

• Yamaha Steinberg USB Driver

• Steinberg UR-C Applications

• Basic FX Suite

5. Click the [Uninstall] / [Uninstall /Change].

If the [User Account Control] window appears, click

[Continue] or [Yes].

6. Follow the on-screen instructions to remove

the software.

Repeat steps 4 through 6 to uninstall the remaining

software you have not selected.

Uninstalling TOOLS for UR-C is now complete.

Mac

1. Disconnect all USB devices other than the

mouse and keyboard from the computer.

2. Start the computer and log in to the

Administrator account.

Exit any open applications and close all open

windows.

3. Extract the TOOLS for UR-C that you

downloaded in advance.

4. Double-click the following file in the

extracted folder.

• Uninstall Yamaha Steinberg USB Driver

• Uninstall Steinberg UR-C Applications

• Uninstall Basic FX Suite

5. Click [Run] when the “Welcome to the

***uninstaller.” message appears.

The characters *** represent the software name.

After that, follow the onscreen instructions to

uninstall the software.

6. Click [Restart] or [Close] when the

“Uninstallation completed.” message

appears.

7. When the message prompting you to restart

your computer appears, click [Restart].

Repeat steps 4 through 7 to uninstall the remaining

software you have not selected.

Uninstalling TOOLS for UR-C is now complete.

Steinberg Website

https://www.steinberg.net/

Manual Development Group

Published 01/2022 MW-C0